ANTAGONIST
"The antagonist (not the protagonist) must have the greatest willpower, which makes him or her the most powerful character in your story."
- Michael Tabb.
Screening: THIS IS JOE
The protagonist can be his or her own worst enemy.
SCREENING: RITA
BACKSTORY
One of the many things that Backstory helps a writer to do is identify conflict. "Conflict is the fundamental element of fiction, fundamental because...only trouble is interesting. It takes trouble to turn the great themes of life into a story..." - Janet Burroway.
Screening: ROCK IS NOT AN ATTITUDE
CONFLICT
Three types of conflict:
Man versus self (intrapersonal)
Man versus man (interpersonal)
Screening: ON THE FLOOR
On The Floor from Georges HH on Vimeo.
Screening: TAP
Man versus environment
Screening: WALL OF DEATH
Synopsis: "A meteorite flies to the earth and threatens to destroy an open air rock'n'roll party. Through the power of a "Wall Of Death" the festival visitors can save the party!"
DIALOGUE
"A good film script should be able to do completely without dialogue." - David Mamet
One participant wanted to know what the screenwriter's role was if no dialogue was used in a movie. I explained that the screenwriter is the one who writes a lot of what will appear on the screen.
Screening: THE SOUND OF ROAD
Screening: MEASURE OF A MAN
(Check out the interview with Measure of a Man director and actor here)
I ended by asking the participants: What are the ABCDs in RED OMEN?
Screening: RED OMEN
Synopsis: "Award winning Canadian singer songwriter Ed Roman along with animator extraordinaire Nelson Diaz from There Be Dragons Creative Media in NYC have created an exquisite animation to the title track of Ed Roman’s latest album Red Omen. The message is for awareness of Dyslexia."
(Read ROFFEKE Volunteer, Zafrica Hasaja's review of Red Omen, here)
We ended with a short discussion on the challenges and opportunities in the Kenyan film industry.
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